Megan Stielstra's Blog

When I read a book, I dog-ear certain pages. Maybe because of what it’s saying, maybe because I appreciate how it’s written. Like, “Wow, this is a badass description. I should fold over the corner of the page so I’ll remember it’s here,” which of course, I never do, because there’s so many other things to read, and then weeks or months or years later, when I come across those pages, I have to remember why I dog-eared them in the first place. It’s an interesting way to look back at myself: to see what was taking my attention however long ago.

I just picked up my copy of Orwell’s 1984 (the last time I read it was in 2000, shortly after the election) and I’d marked three passages:

One:
“I'm not interested in the next generation, dear. I'm interested in us.”
“You're only a rebel from the waist downwards,” he told her.
She thought this brilliantly witty and flung her arms round him in delight.

Two:
… she worked, as he had guessed, on the novel-writing machines in the Fiction Department. She enjoyed her work, which consisted chiefly in running and servicing a powerful but tricky electric motor. She was 'not clever', but was fond of using her hands and felt at home with machinery. She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the finished product. She 'didn't much care for reading,' she said. Books were just a commodity that had to be produced, like jam or bootlaces.
She had no memories of anything before the early sixties and the only person she had ever known who talked frequently of the days before the Revolution was a grandfather who had disappeared when she was eight. At school she had been captain of the hockey team and had won the gymnastics trophy two years running. She had been a troop-leader in the Spies and a branch secretary in the Youth League before joining the Junior Anti-Sex League. She had always borne an excellent character. She had even (an infallibIe mark of good reputation) been picked out to work in Pornosec, the sub-section of the Fiction Department which turned out cheap pornography for distribution among the proles. It was nicknamed Muck House by the people who worked in it, she remarked. There she had remained for a year, helping to produce booklets in sealed packets with titles like Spanking Stories or One Night in a Girls' School, to be bought furtively by proletarian youths who were under the impression that they were buying something illegal.
“What are these books like?” said Winston curiously.
‘Oh, ghastly rubbish. They're boring, really. They only have six plots, but they swap them round a bit. Of course I was only on the kaleidoscopes. I was never in the Rewrite Squad. I'm not literary, dear—not even enough for that.”

Three:
He wondered again for whom he was writing the diary. For the future, for the past—for an age that might be imaginary. And in front of him there lay not death but annihilation. The diary would be reduced to ashes and himself to vapor. Only the Thought Police would read what he had written, before they wiped it out of existence and out of memory. How could you make appeal to the future when not a trace of you, not even an anonymous word scribbled on a piece of paper, could physically survive?

I think it’s time to give Ol’ Orwell another read. I’ll have to get myself a new copy, though. This copy I’m sending here.